Photoshop & Elements tutorials, downloads, links & goodies
Add-O-Matic
The world's first and only add-on installer for Windows versions of Photoshop Elements, and now Lightroom too! Quickly and easily get all your extra goodies into Elements with a drag, a drop and GO!
Handy Actions
Your Swiss Army Knife for Photoshop Elements - over 70 of the most-requested tools from Photoshop
Photo Lab
Photo Lab offers 39 ways to enhance your images, from crisp B&W to soft dreamy effects to desaturated and sepia toning. Check it out!
Fun Foto FX
Over 30 ways to play - Fun Foto FX creates the best effects for your images!
Glam Photo
56 effects (yes, 56!) are in this self-installing effects pack. With the Glam Photo FX Pack, you can create a huge variety of glamourous looks for your photos (and they work well on landscapes, too!)
Splitter
16 ways to slice, dice & chop your photos, from simple splits to more complex chops and slices to torn in half or split three ways. Splitter helps you create interesting display options for you photos!
Framer
Framer offers 24 ways to create frames, borders, outlines and vignettes around your photos
Over my nearly twenty years of teaching university photography classes, I’ve come to discover that one area that students often have the hardest time mastering is depth of field. Whereas beginning students usually manage to work well with their cameras in manual mode, which forces them to make their own selections of apertures and shutter speeds, they often seem to overlook using a limited area of focus to create more striking images.
I think one explanation for why this approach isn’t explored more by many students is that they aren’t active enough when they’re out shooting. They see something in the distance that interests them, and I fear too often they just take the shot from that point and don’t investigate much further.
What, then, is depth of field (DoF)? Basically, it’s the term used to describe the area in a photograph that is in focus from the point nearest to the camera to the point furthest from the camera. What’s interesting about this concept is precisely that this distance can change radically according to different settings and choices made by the photographer.
“On Top of The Glow” captured by Char Brumbaugh. (Click image to see more from Char Brumbaugh.)
I’m having more and more second thoughts abouts saturating themarket with my own versions of retor filters for Photoshop. Seeem like folks can’t get enough of them, but it also seems like everyone and their seven cousins have their own versions.
What do you think? Release mine or keep them to myself?
We often look at the photos of some the of the best commercial photographers and think, if only I had the equipment they had… But the truth is that the photography is more in the photographer than in the camera. Take, for instance, this video of professional photograhper Douglas Sonders who uses a broken Holga film camera for the first time since he was in college. Despite its lo-fi nature (and lack of a viewfinder) he’s still able to create some wonderful images:
Douglas Sonders has worked for Apple, Ford, ESPN, National Geographic, and Honda, just to name a few. He specializes in on-location shoots and travels the globe to photograph his subjects. And while Sonders prefers to use his bulky Phase One digital camera, in Digital Rev’s latest challenge he’s presented with an Holga film camera, and not just any Holga, but one without a viewfinder. Sonders admits that he hasn’t even touched a film camera in 5-10 years, and it takes him a while just to figure out how to load it.
Douglas Sonders is not afraid to go for the shot
What’s amazing is Sonders photographic skills, his attitude, and his determination. During the video you can see that Sonders doesn’t complain about using the Holga. He points out the things he doesn’t understand or wishes he had, but he goes about it with a positive attitude, making jokes along the way. Though he can’t even see through the broken viewfinder of the Holga, he starts shooting right away and in only a few hours captures some decent photos.
Captured with broken Holga camera
These images aren’t breathtaking by any means. But given only the few hours, the two rolls of film, and the broken lo-fi plastic camera he’s given, he does a pretty good job. Also note that it’s not just his eye for interesting subjects and ability to properly frame them, but his determination as well. This is a guy who probably makes hundreds of thousands a year and buys really nice suits, but he doesn’t hesitate to lay down on a dirty street to capture a photo. Douglas Sonders is definitely a photographer we can all learn something from.
When shooting a portrait, the conventional wisdom involves using bright, evenly-coloured light to bring out the model’s sweet inner glow. Sometimes, though, you might desire an aesthetic that is a little bit more dramatic. In this video, Detroit photographer Paul Manoian uses coloured gels to shed light on the darker side of portrait photography:
Manoian was going for a Gothic look in this shoot, juxtaposing his subject’s pale skin and blonde hair with black clothes, dark makeup, and a royal blue backdrop. To accentuate this colour palette while keeping the soft diffused light, he opens the front of a soft box (mounted onto an Elinchrom D-lite 4) and tapes gels inside the box itself, which he shines on the model from the rear to give her a deep blue halo around her. He uses three of these – two square soft boxes and one octagonal – in order to maximize this effect from all sides.
In addition to these three lights, he points one spot light on the background, creating a circular glow behind her head which frames her face and adds contrast to the image. He relies only on the light spilling in from the side to brighten her face, purposefully leaving it largely in shadow in order to enhance the brooding atmosphere.
This session displays an interesting and uncommon method of photographing women with a more commanding aura than usual. By playing with deep contrast and shadow, Manoian explores her strong and powerful side without compromising her feminine energy – two concepts which are rare to find intertwined so gracefully.
This is something new I’m going to start mostly for myself, but also for anyone and everyone who notices a post and has a camera.
Each Friday, I’ll post a starting point – it could be a topic (like “water”), a theme idea (like “Black & White”), a specific word (“old”) or maybe just a photo – and invite you to add your photo post in the comments about it. So, for example, if the theme idea were “house”, you might post a photo of what your interpretation of the “house” theme is.
This will be sent to my blog, my Facebook & Twitter feeds, and will be (maybe?) linked in the Graffishop if a specific action or other “Graffi Goodie” was indicated as being used.
To play along, post in the comment section your photo (and/or a link to your photo) and whatever comments you want to make about yours and other’s posts. You can add a brand new shot or an old favorite from your archives – just make sure the image is yours to upload, though – no fair adding someone else’s shot (kinda defeats the purpose, eh?)
Don’t be afraid to be first! Rome wasn’t built in a day, and someone had to lay down the first brick!
So…
This week, let’s start with a topic: ”Spring”.
Spring is maybe here? Baseball, colors, fishing, flowers, Easter, pollen, machinery, watches – whatever your interpretation of “spring” might be.
To retouch skin, simply play an action then paint over the areas that you want to retouch. They’re extremely easy to use and a rough paint will work – you don’t need to be too precise.
The skin airbrushing action makes skin look smoother without losing skin details.
Here’s a video preview of what you can achieve with these Photoshop actions. Note: The video uses the SparkleStock version of this action that contains 20 retouching actions rather than 5.
Make Magazine usually has some pretty chill projects, but this is one I’ve been meaning to try for months. I hope to get to it one of these days – meanwhile, here’s the idea:
Graffi’s Hipster[VintageKit] is now out, with versions for automatic or manual installation for Photoshop and Elements, Mac & Windows editions!
As a bonus, if you checkout before March 31st you can use the coupon code 232b5ea449 you can take 20% off your entire shopping cart!
Here’s a demo video, showing the actions that tap into the new, secret Adjustment Layer actions in Photoshop Elements 11. They also work super in Photoshop, CS3+. if you choose the Elements 11 Installer package, the actions and scripts are all installed for you and you’re ready to start using them in minutes!
A complete listing of the actions in this set is on the Hipster[VintageKit] page. Hope you’ll check them out and offer some feedback!