It can be extremely hard to predict when and where the peak colors of falls will hit. If you’ve ever been a week or two early you’ll know the frustration of seeing little splattering of color when you were hoping for full on peak color. Well, using a little bit of post-production magic, you can add some life to those early fall shots and get it closer to the vision you’d hoped mother nature would’ve given you in the first place. Let’s see how we can fake fall color using the HSL tab in Lightroom!
As a side note: I do want to mention that while this article is about faking the colors to create a vision that didn’t exist in the first place, a lot of these techniques can be applied to enhancing fall colors that do exist. Even if you’re completely against the idea of changing the world in post-production it might be worth reading through it to see how you might be able to use these techniques in a way that retains a more true to life look in your image.
In this video, Bryan O’Neil Hughes explains how to use selective coloring in your photos using Photoshop:
Most people who have a bit of knowledge of using Photoshop know about the Hue/Saturation tool and might think selective color is easy. But try doing this quickly on a selective area of the photo and you might realize that it’s not so simple after all.
In this black and white landscape photography tutorial we explain why strong colours are the secret to dramatic monochrome images and offer our best shooting tips to guarantee images with impact.
The great thing about shooting black-and-white landscape photography is that you don’t have to wait for perfect weather to get great shots; all you need is a dramatic sky and plenty of contrast to really make your images pop.
This tutorial will walk you through choosing colors from one core image. Many strong print designs revolve around one image that stands out, features great color options and has room for additional content such as text.
If you’re shooting with soft lighting and a colorful backdrop, it’s all too common to find a bit of color affecting the subject—green backgrounds make them look sickly, orange makes them glow, stuff like that. In this tutorial, Michael Woloszynowicz shows off a handy little tip that avoids Photoshop‘s messy trial-and-error color balance correction:
As he points out, the original image is simply too orange. The subject looks like she just came from a tanning salon: