The time for bluebell photography is just around the corner. In this tutorial we explain when to take pictures of bluebells, where to find them and how to set up your camera for the best results.
All images by Jeff Morgan
You have to be watchful at this time of year, because it’s almost time to go down to the woods – not for the teddy bears’ picnic, of course, but for something much more inspiring than that… it’s time for bluebells!
Often times shooting special events is not the most glamorous gig in photography, but when a client calls you up looking for a photographer to shoot an event, you take the job. Sometime’s you end up somewhere great like the trading floor of the New York Stock Exchange, other times you’re in a small, dark, dull event space with only 20 people making the best of the situation. Regardless of the size or location of the event, you’re job is to make some great images. There are a lot of little things that can make diving into special event photography much easier or much harder on yourself, below are a few ideas of how to prepare and execute the photography at your next event.
Composition in nature photography comes easy to some, but many new photographers struggle to find their balance. This is especially true where wildlife is concerned.
“Warming Up in the Warm Morning Sun” captured by Dennis Rademaker (Click image to see more from Rademaker.)
There is a bit of false wisdom that says: “You should never put your animal right in the middle of the photo–only to the left or the right.” This is simply not true, but it is a notion that causes all sorts of anxiety for new photographers.
“Save Best Fox for Last…” captured by Dennis Rademaker (Click image to see more from Rademaker.)
If you don’t put your animal in the middle of the photo, where do you put it? And what do you do with all that extra space? Well, it may (or may not) encourage you to know that there is not really any hard and fast rule to answer these questions. Like all things in composition, it really depends on your own sense of visual balance. Good composition requires you to have the confidence to trust your own judgment.
That doesn’t mean you are on your own when it comes to learning composition. The answers to the following questions may help you if you are struggling to get started.
If you only ever get to grips with five digital camera features, make sure it’s these…
All images by Chris Rutter
Every camera has a plethora of different features and functions, but it can be bewildering to know which ones to use and when, so we’ve come-up with the five essential digital camera features you need to master to help you get perfect results every time.
Some of these, such as back-button focusing, take a little time to master, but it’s well worth taking the time to get to grips with them, as once you do, you’ll wonder how you ever managed without them.
No matter what subject you’re shooting, we guarantee they will change the way you shoot forever, and will result not just in better images, but images that you previously thought were impossible. Don’t believe us? Read on to learn more…
High pass sharpening has been one of Photoshop’s most commonly used filters by professional photographers. But Michael Woloszynowicz noticed some problems with the traditional method—namely, an unnatural white outline and awkward lighting around the eyes, where colors contrast. Here’s his solution:
Woloszynowicz’s video is very technical and may be confusing for some, but professionals and semi-professionals will recognize it as the kind of tip that distinguishes them from amateur digital editors.
Sometimes the lessons are so basic, they are overlooked. This is one I feel needs to be repeated for new photographers as well as a gentle reminder for those of us with decades of shooting experience.
Photography is the process of recording light. It is the same with your eyes, every waking moment of every day you use them. You see subjects around you and mentally are so busy classifying and figuring them out (“What a beautiful red Ferrari! Is it slowing down for a right hand turn?”) that when it comes time to lift a camera to your eye, you forget to stop and think about what is really going on.